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How are we to write The Russian novel in America As long as life goes so unterribly?
In general, each form is a relief from the other forms. I can't write a novel after a novel. I just use up all the material each time, and I need to rest.
When I look back over my novels what I find is that when I think I'm finished with a theme, I'm generally not. And usually themes will recur from novel to novel in odd, new guises.
Only another writer can know how much damage writing a novel can do to you. It's an unnatural activity to sit at a desk and squeeze words out of yourself.
The thematic, psychological, and cultural concerns of a writer are more relevant than whatever literary mode he or she chooses to deal with in any given novel.
I was heavily influenced by my first attempt at a novel. I started a fantasy novel back in high school, and... well... it really sucked. It was a plotless, clichéd mess.
Writing a good query letter has very little to do with writing a good novel. But if you can't write the one, it makes it really hard to get the other published.
Crafted with care and with love, this beautifully constructed novel reveals hard truths and difficult secrets. Diana Davidson is a writer of great honesty and integrity, a writer to trust.
The pleasure of writing fiction is that you are always spotting some new approach, an alternative way of telling a story and manipulating characters; the novel is such a wonderfully flexible form.
Many different substances, as distinct to the practiced eye as stone and wood, go to the making of a novel, and it is necessary to see them for what they are.
I'm constantly trying to figure out how to crack that mystery; how to make a novel that has a sense of immediacy of a short story. I try to do that and I'll try it again, but I'll never get it.
The usual criticism of a novel about an artist is that, no matter how real he is as a man, he is not real to us as an artist, since we have to take on trust the works of art he produces.
Writing a first novel was an arduous crash course. I learned so much in the six years it took me to write it, mostly technical things pertaining to craft.
One of the most puzzling things about a novel is that "the way it really was" half the time is, and half the time isn't, the way it ought to be in the novel.