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Writing a novel is not merely going on a shopping expedition across the border to an unreal land: it is hours and years spent in the factories, the streets, the cathedrals of the imagination.
This isn't a particularly novel observation, but the world is full of people who think they can manipulate the lives of others merely by getting a law passed.
Writing a poem is like having an affair, a one-night stand; a short story is a romance, a relationship; a novel is a marriage-one has to be cunning, devise compromises, and make sacrifices.
Life is about trusting your feelings and taking chances, losing and finding happiness, appreciating the memories, learning from the past, and realizing people change.
Through care taken over trends, the desire to be novel and affectation knowledge, we repudiate our art, our instinct, our own way of doing things; it is absurd and stupid
The ear tends to be lazy, craves the familiar and is shocked by the unexpected; the eye, on the other hand, tends to be impatient, craves the novel and is bored by repetition.
There is, in fact, not much point in writing a novel unless you can show the possibility of moral transformation, or an increase in wisdom, operating in your chief character or characters.
I've read every one of Donald Goines' books. So as soon as I heard there was an opportunity for one of his novels to be turned into a movie, I jumped at the opportunity.
We read five words on the first page of a really good novel and we begin to forget that we are reading printed words on a page; we begin to see images.
The Little Friend is a long book. It's also completely different from my first novel: different landscape, different characters, different use of language and diction, different approach to story.
I am a writer who has written about the life of my people, the character of my people. What I can say is that the greatest hero of the Brazilian novel is the Brazilian people.
Stuart Rojstaczer writes with enormous wit, style and empathy, and The Mathematician's Shiva is a big-hearted, rollickingly funny novel that's impossible to put down. A tremendous debut.
I just finished a novel, and I'm back kind of noodling on the screenplays. Screenplays are tough. I am making music, I'm just not sure what kind of music it is or where it's going.
The choreographic process is exhausting. It happens on one's feet after hours of work, and the energy required is roughly the equivalent of writing a novel and winning a tennis match simultaneously.
In a novel, the author gives the leading character intelligence and distinction. Fate goes to less trouble: mediocrities play a part in great events simply from happening to be there.
I think Melbourne is by far and away the most interesting place in Australia, and I thought if I ever wrote a novel or crime novel of any kind, I had to set it here.