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I think that too often we, film directors, think that a big epic novel and feature film are the same. It's a lie. A feature film is much closer to a short story actually.
I do one Xanth novel a year, because at the moment that is all that publishers will accept; they don't want any other type of fiction from me, so Xanth pays my way.
No novel is a clone of any preceding one, though with a background cast of characters and things that has grown to thousands, there are many familiar aspects.
To read a novel requires a certain kind of concentration, focus, devotion to the reading. If you read a novel in more than two weeks, you don't read the novel really.
I'm constantly trying to figure out how to crack that mystery; how to make a novel that has a sense of immediacy of a short story. I try to do that and I'll try it again, but I'll never get it.
Many different substances, as distinct to the practiced eye as stone and wood, go to the making of a novel, and it is necessary to see them for what they are.
The pleasure of writing fiction is that you are always spotting some new approach, an alternative way of telling a story and manipulating characters; the novel is such a wonderfully flexible form.
Crafted with care and with love, this beautifully constructed novel reveals hard truths and difficult secrets. Diana Davidson is a writer of great honesty and integrity, a writer to trust.
Writing a good query letter has very little to do with writing a good novel. But if you can't write the one, it makes it really hard to get the other published.
I was heavily influenced by my first attempt at a novel. I started a fantasy novel back in high school, and... well... it really sucked. It was a plotless, clichéd mess.
The thematic, psychological, and cultural concerns of a writer are more relevant than whatever literary mode he or she chooses to deal with in any given novel.
Only another writer can know how much damage writing a novel can do to you. It's an unnatural activity to sit at a desk and squeeze words out of yourself.
Gritty and witty, The Chicago Way is done the classic Raymond Chandler Way. Harvey's taut plot, snappy prose, and memorable characters make this debut novel a real winner.
All good writing is built one good line at a time. You build a novel the same way you do a pyramid. One word, one stone at a time, underneath a full moon while the fingers bleed.
My first book was the most successful debut novel in the UK ever and every one of my books has reached number one in the UK. Clearly the British know brilliance when they see it.
Sylvie's knowledge, like Izzie's, was random yet far-ranging, 'The sign that one has acquired one's learning from reading novels rather than an education.
I really have to think of the things fiction can do that film can't and play to the strengths of the novel. With a novel you can get right inside somebody's head.