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There are no laws for the novel. There never have been, nor can there ever be.
I like a lot of Margaret Atwood, I like much of Alice Munro. Again, if you were to ask me about male writers, there's often a novel I admire, but not all of their works.
Poison Pill is a great reading. The novel ranges from Russian oligarchs to the American worlds of drug research and the equity markets, all of it in a mode of high suspense.
Our life is a book that writes itself and whose principal themes sometimes escape us. We are like characters in a novel who do not always understand what the author wants of them.
A novel is like a gland pill - it nips off the cream of my hysterics and gets them running on track in a book where they belong instead of rioting all over my person.
I don't call myself an 'industrial designer,' because I'm other things. Industrial designers want to make novel things. Novelty is a concept of commerce, not an aesthetic concept.
Entering a novel is like going on a climb in the mountains: You have to learn the rhythms of respiration - acquire the pace. Otherwise you stop right away.
I think humor is key [to a successful middle-grade novel]. Kids like to read for entertainment, and the best way to entertain kids is to make them laugh.
I never think about a movie when I'm writing a book, because I think only two things could happen and both of them are bad. You write a lousy novel and a lousy film.
The short story is still like the novel's wayward younger brother, we know that it's not respectable - but I think that can also add to the glory of it.
Your life story is a novel; and people, though they love novels wound between two yellow paper covers, are oddly suspicious of those which come to them in living vellum.
Words are so often used in the opposite sense, as a screen of diversion. It's the struggle towards truthfulness which is the same whether one is writing a poem, a novel or an argument.
I am a businessman at the end of the day. I have grown up with Excel sheets. I start out writing my novel with spreadsheets and the milestones in each chapter highlighted.
I know for a fact that - it's just the way our biases work now in the industry of literature, but certainly a short story collection does not receive the same kind of attention as a novel.
I do see an interest in writing for Twitter. While publishers still do love the novel and people do still like to sink into one, the very quick form is appealing because of the pace of life.
There is no such thing as too ordinary to write about, whether that's life or a scene in a novel. What's interesting to people, whether it's memoir or fiction, is the truth.
For me Oliver Twist is a political novel. It is a furious critique of the treatment of orphans and poor children who were forced to spend their early lives in ghastly institutions.
And this is the way a novel gets written, in ignorance, fear, sorrow, madness, and a kind of psychotic happiness as an incubator for the wonders being born.