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When readers close the covers on Running the Rift, I want them to understand that it is not a genocide novel but rather a story of hope and rebirth.
It's not an accident that, while bookstores are all in a tizzy, one of the more lively and alive sections is the so-called "graphic novel" section, because those are harder to replace.
Sir Walter, with his 61 years of life, although he never wrote a novel until he was over 40, had, fortunately for the world, a longer working career than most of his brethren.
The short story is still like the novel's wayward younger brother, we know that it's not respectable - but I think that can also add to the glory of it.
I am a businessman at the end of the day. I have grown up with Excel sheets. I start out writing my novel with spreadsheets and the milestones in each chapter highlighted.
There is no such thing as too ordinary to write about, whether that's life or a scene in a novel. What's interesting to people, whether it's memoir or fiction, is the truth.
For me Oliver Twist is a political novel. It is a furious critique of the treatment of orphans and poor children who were forced to spend their early lives in ghastly institutions.
The 'interactive fiction' format hasn't changed in any fundamental way since the early 1970s, in the same way that the format of the novel hasn't since 1700.
I need as much of the business of making a film to be in my own workspace. It really ought to be a bit more like doing a novel, alone, at first. I'm feeling my way.
Once a novel gets going and I know it is viable, I don't then worry about plot or themes. These things will come in almost automatically because the characters are now pulling the story.
There are things the story must have or else look incomplete. And these will almost automatically present themselves. When they don't, you are in trouble and then the novel stops.
A discursive student is almost certain to fall into bad company. Ten minutes with a French novel or a German rationalist have sent a reader away with a fever for life.
Yes, after some time spent last year on other commitments, most of them speaking engagements, I am now about halfway through a novel that I hope will come out in 1998.
You hear the best stories from ordinary people. That sense of immediacy is more real to me than a lot of writerly, literary-type crafted stories. I want that immediacy when I read a novel.
Rohinton Mistry's celebrated novel 'Such a Long Journey' was pulled off the syllabus of Mumbai University because local extremists objected to its content.
The atmosphere of orthodoxy is always damaging to prose, and above all it is completely ruinous to the novel, the most anarchical of all forms of literature.
I can't stand it when people say, "If you're writing a novel, you should read this and that." Because it's like giving someone another person's prescription. How do you know that's what they need?
Living in an entirely different physical as well as biotic environment, such a population would have unique opportunities to enter new niches and to select novel adaptive pathways.
Writing a novel is like making love, but it's also like having a tooth pulled. Pleasure and pain. Sometimes it's like making love while having a tooth pulled.
Anyway, several rewrites later, Del Rey Books did publish my first novel, and it did become the first work of fiction on the New York Times trade paperback bestseller list.