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It is not the office of a novelist to show us how to behave ourselves; it is not the business of fiction to teach us anything.
I do not seek the good of others as a sanction for my right to exist, nor do I recognize the good of others as a justification for their seizure of my property or their destruction of my life.
The contemporary American novelist benefits in a way from being ignored. It makes you angrier and makes you want to go into all of those places where you shouldnt.
Of Dickens' style it is impossible to speak in praise. It is jerky, ungrammatical, and created by himself in defiance of rules... No young novelist should ever dare to imitate the style of Dickens.
A novelist has mad a fictional representation of life. I doing so, he has revealed to us more significance, it may be, than he could find in life itself.
A great novelist must open the reader's heart, allow the reader to remember the vastness and glory -- and shame and shabbiness -- of what it is to be human.
As a novelist you have just unlimited budget, total creative control. You really get to have your cake - all the cake - and then you can have a second cake if you wanted to.
We're currently living with a generation of established novelists who are embarrassingly out of date with respect to social networking, internet skills, and so on.
the best often die by their own hand just to get away, and those left behind can never quite understand why anybody would ever want to get away from them
The thing I love about Dickens is the omniscient, omnipotent narrator, and the great confidence of the narrator, which marks 19th-century novelists in general and Dickens in particular.
Shyness is a curious thing, because, like quicksand, it can strike people at any time, and also, like quicksand, it usually makes its victims look down.
Money is the necessity that frees us from necessity. Of all novelists in any country, Trollope best understands the role of money. Compared with him even Balzac is a romantic.
Whether you're an unpublished novelist or a sixteen-time New York Times bestselling author, you can always improve your craft. You can always become a better writer.
The novel is very much alive, indeed. In Toronto at the Sixth Annual International Festival of Authors (October 1985) I listened to novelists by the dozen.
The great European novel started out as entertainment, and every true novelist is nostalgic for it. In fact, the themes of those great entertainments are terribly serious-think of Cervantes!
But in general, for the purposes of most novelists, the number of objects genuinely necessary for. . .describing a scene will be found to be very small.