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I suppose I am a born novelist, for the things I imagine are more vital and vivid to me than the things I remember.
I'm really aware that in fiction, women are pretty much equal. There's a lot of very successful women novelists. Not so much [for women writers working] in film.
It may happen in the next hundred years that the English novelists of the present day will come to be valued as we now value the artists and craftsmen of the late eighteenth century.
I'd defend the right for any novelist to experiment with form or language, but if people don't take to it, don't react by making out that they are thick.
Sometimes I wonder why I'm a novelist right now. There is no definite career reason why I became a writer. Something happened, and I became a writer. And now I'm a successful writer.
When I began to read as an adult, my first big enthusiasm was Evelyn Waugh. I read almost exclusively novelists of a generation back. I did the Russians, then I started getting more up to date.
Only a small percentage of novelists, painters, musicians, scientists, anywhere in the world, are talented. But there are many more in Hollywood than one would expect from looking movies.
Stories in which the destruction of society occurs are explorations of social fears and issues that filmmakers, novelists, playwrights, painters have been examining for a long time.
Just as we bemoan the passing away of the Great Novel, a great novelist is likely to emerge, perhaps even from Denmark or Switzerland, to prove us wrong.
One of the admirable features of British novelists is that they have no scruple about setting their stories in foreign settings with wholly foreign personnel.
I am a master of fiction. I am also the greatest crime novelist who ever lived. I am to the crime novel in specific what Tolstoy is to the Russian novel and what Beethoven is to music.
The best of our fiction is by novelists who allow that it is as good as they can give, and the worst by novelists who maintain that they could do much better if only the public would let them.
Some novelists are luckier than others in the eras of their formative intellectual years, but all Weltanschauungs return, which means that most novelists have at least a chance of a revival.
Novelists of a conservative or more purely aesthetic bent hold up better on the surface, but their novels go in and out of fashion according to relevance or irrelevance.
Some Pulitzer winners - novelists - have confided to me that getting the prize screwed them up. It messed with their heads. That hasn't been my experience.
What the podcast novelists do isnt all that different from what self-publishers do. We put the books out in different formats, but the goal is the same: build an audience and attract a publisher.
You get spoiled as a novelist because you get to be the director and the editor, and you play all the parts, but as a screenwriter, you are a bit down the ladder.
If you are a novelist of a certain type of termperament, then what you really want to do is re-invent the world. God wasn't too bad a novelist except he was a Realist.
Shun security, I advise aspiring novelists when they complain to me that they are stuck. Get disoriented. Maybe your agonizing writing block isnt agonizing enough. Your enemy is comfort.
There is a part of me in every character, naturally. That's why novelists rarely write good autobiographies. You start one and it becomes another novel.