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My temperament is not geared to that of a novelist.
The essay is a wonderful medium. I might mention that some writers who longed to be novelists were better as essayists: Sontag, Baldwin, Vidal, Mary McCarthy, Mailer.
More than anything I am a novelist. But for me, an author's job is not only to create linguistically accomplished works. As an author I also want to stimulate discussion.
Age could not wither nor custom stale her infinite monotony: in fact, neither Age nor Custom could do anything (as they said, their voices rising) with the American novelist Gertrude Johnson.
Salvation is an individual relationship with God. I've always considered myself to be a devotional poet, and I consider myself to be a devotional novelist.
I don't think I'm a natural novelist. Plot is definitely one of my weaker points. I've been working on it a long time, and it's not getting much better.
Nicholas Sparks recently went on record as saying he is a greater novelist than Cormac McCarthy. This is true in the same sense that I am a better novelist than William Shakespeare.
I’ve always said to people, "I don’t care what you call me as long as the checks don’t bounce and the family gets fed." But I never saw myself that way. I just saw myself as a novelist.
The writer - more especially the novelist - who has not, at one moment or another, considered his publisher unworthy of him, has still to be conceived.
Novelists who treat violence and cruelty as something to be exploited for their effect, or to enjoy the pleasure of an evacuation, are carriers of a singularly unpleasant disease.
The novelists of the nineteeth century had all the luck. They had a huge and easily pleased public and the world they surveyed had every appearance of permanence.
The novelist can't successfully depict such horrifying reality. But she can, and must, try, to bear witness. There are many ways of doing this; the mode I prefer is indirect.
For purposes of marketing, writers are designated as poets, novelists, or something else. But writing is about matchmaking, an attempt to marry sensations with apt words.
The novelist is more a marathon runner than long-distance runner and the kind of courage it takes working in such isolation cannot be underestimated. I really respect my fellow writers on this front.
I am the luckiest novelist in the world. I was a first-time novelist who wasn't awash in rejection slips, whose manuscript didn't disappear in slush piles. I have had a wonderful time.
Things were easier for the old novelists who saw people all of a piece. Speaking generally, their heroes were good through and through, their villains wholly bad.
Novelists who get shitty about screenwriting invariably can't do it, or they can't hack it in the world of what's really, in truth, very bold and very public enterprise.
Lauren Kirshner creates a first-person narrator you never stop rooting for. . . . [Where We Have to Go] highlights Kirshner as a new novelist to watch. A very strong, original debut.