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I think of [my photographs] as found paintings because I don't crop them, I don't manipulate them or anything. So they're like found objects to me.
One of the principal objects of theoretical research in my department of knowledge is to find the point of view from which the subject appears in its greatest simplicity.
Oil painting did to appearances what capital did to social relations. It reduced everything to the equality of objects. Everything became exchangeable because everything became a commodity.
The whole arrangement of my picture is expressive. The place occupied by the figures or objects, the empty spaces around them, the proportions, everything plays a part.
Every library answers a twofold need, which is often also a twofold obsession: that of conserving certain objects (books) and that of organizing them in certain ways
Attempting to liberate the oppressed without their reflective participation in the act of liberation is to treat them as objects that must be saved from a burning building.
The appearances of natural objects are in themselves meaningless; the essential thing is feeling - in itself and completely independent of the context in which it has been evoked.
To know objects only through dissecting and cataloguing them is to miss their full reality. It is to fall asleep amidst the mystery and to become numb to the wonder of this great Earth.
My idea was to chose an object that wouldn't attract me, either by its beauty or by its ugliness. To find a point of indifference in my looking at it, you see
Beautiful objects, ideas, even beautiful people all share the power to lift the spirits and motivate creativity while at the same time soothing the soul.
Of the three official objects of our prison system: vengeance, deterrence, and reformation of the criminal, only one is achieved; and that is the one which is nakedly abominable.
A good painter has two main objects to paint, man and the intention of his soul. The former is easy, the latter hard as he has to represent it by the attitude and movement of the limbs.
Beauty is our weapon against nature; by it we make objects, giving them limit, symmetry, proportion. Beauty halts and freezes the melting flux of nature.