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I find it quite difficult to analyze my own motives for things. I tend to go with a gut feeling in the moment.
When I was in my 40s was I simply produced my own movies because no one offered me anything. But certainly after 50 it's hard for a woman, which is why television is such a welcoming thing.
I get absolutely ruthless in my own way about not doing anything else when I am trying to concentrate on writing a book. I have to stick to it and concentrate.
I've always chosen all my own material; no one ever told me what to sing or how to sing it, but I've always been pressured intensely to use musicians outside of my band.
There weren't too many books by women that were taught in school, so I read those on my own, and the books I read were as accessible as the ones we were reading in school.
Also, as I've gotten older and more mature, I've become much more comfortable in my own skin. After 25 years of doing stand-up, that's reflected onstage.
I struggled to learn basic skills, get a grip on markets, find my own unique voice, create story lines and come up to speed with the industry. I struggled for ten years before having any success.
I use my fiction to explore my own unconscious issues. I usually don't even know what's going on with me until I'm writing. That doesn't mean my books are autobiographical.
I like to throw my own punches when I can, as would any guy. You can always tell when it's somebody in a wig. It's cool when it comes up to your face and it's still you in the fight.
I'm a self-taught musician so how I read music is kind of very weak and I kind of read my own version of tablature, I write my own crappy reminders on what I'm playing.
I was so focused at 21, maybe to my own detriment because I didn't allow myself to have fun. I was constantly looking for the next audition and working to pay the bills.
I've just been watching other people's releases and learning from their mistakes. I know I'm bound to make a couple of my own, but I've got a couple ideas that I think are going to help get it out.
Of course, all writers draw upon their personal experiences in describing day-to-day life and human relationships, but I tend to keep my own experiences largely separate from my stories.
I have actually been very fortunate to be able to make films on my own credit card without having huge funders behind me dictating how the story should be told.
I'm not going to be sitting on a stool with an acoustic guitar singing about my troubles anytime soon. I mean, I'm going to sing about my troubles but in an aggressive way. In my own way.