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Each of us has his own alphabet with which to create poetry.
I am from the Mediterranean area, I have to feel everything. I am a physical person, but I guess that things that you cannot touch and cannot see are also touchable and visible—light, poetry, music.
Take your materials from what is around you - if you see a dandelion, write about that; if it's misty, write about the mist. The materials for poetry are all about you in profusion.
The point of poetry is to be acutely discomforting, to prod and provoke, to poke us in the eye, to punch us in the nose, to knock us off our feet, to take our breath away.
There has been a vast output of critical studies in contemporary poetry, some of them first rate, but I do not think that , as a rule, a poet should read them.
Poetry helps me understand who I am. It helps me understand the world around me. But above all, what poetry has taught me is the fact that I need to embrace mystery in order to be completely human.
The dance can reveal everything mysterious that is hidden in music, and it has the additional merit of being human and palpable. Dancing is poetry with arms and legs.
All poetry has to do is to make a strong communication. All the poet has to do is listen. The poet is not an important fellow. There will also be another poet.
Soho has got to be at its centre. It's got such a history for rock, pop, poetry, jazz, writers, all those things, and I think it should be valued as such, and protected as this centre for bohemia.
Sexual activity is driven by the same aims and motives as reading poetry or listening to music: to escape the limitations imposed by the need for particularity in the consciousness.
I thought we were gonna open up the world of poetry and music to all kinds of things, and yet, I can't really think of anyone who's done anything like it since.
I still think the revolution is to make the world safe for poetry, meandering, for the frail and vulnerable, the rare and obscure, the impractical and local and small.
Romance like a ghost escapes touching; it is always where you are not, not where you are. The interview or conversation was prose at the time, but it is poetry in the memory.