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I always hesitate to call myself a children's poet, and I always hesitate to call what I write for children poetry. Though a few of the verses that I've written, yes, I think they are truly poems.
I believe the best poetry of our times is growing too artistic; the study is too visible. If freedom and naturalness are lost out of poetry, everything worth having is lost.
Yes, the mistrust of poetry has a long history, for a variety of reasons, but they all come down to sentiment and invention over fact and truth. Figurative language is suspicious.
I feel that the task of criticizing my poetry is best left to others (i.e. critics) and would much rather have it take place after I am dead. If at all.
I would like my books to stand as a tool to unbind children from expectations of poetry because it should free the child to self-expression and exploration.
Although I was calm as a child, I had this restlessness about me–this need and hunger to create my own world. Poetry filled that void, and its words fed that vital necessity of ownership.
While some mothers sing lullabies to their children, my mother read me poetry. And to this day, I associate my strongest and most insistent feelings with words lyrically organized on a page.
I always feel vulnerable talking about the poetry aspect of my career because it's little diary entries that I need to sometimes close read, and to reveal that much, it's a bit nerve-racking.
I never wrote poetry, just prose. I don't really consider songwriting a form of poetry either. The words are important, of course, but they're dependent on the music.
I'm not against ambition and reach, but if you can say it in four lines, why waste your time saying it in more? Challenge the world by all means, but it's bad for your poetry to take steroids.