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It is no fun at all to have been writing a book for seven or so years, especially when you've never published anything before.
A lot of my close friends had tolerantly washed their hands of the whole idea of me writing a book. They had said to themselves, "I don't know what he's doing."
I spent seven years writing The Free World. There are a lot of things I accomplished there that I'm very proud of, but I didn't want to spend another seven years writing a book like that.
These are rules I've picked up along the way to help me remain invisible when I'm writing a book, to help me show rather than tell what's taking place in the story.
Writing a book is like an unknown abyss, every time. Every book is different. Contrary to what unpublished writers think, it's horrible to have a book out.
It's my story ["Selling Isobel"].I chose to write a screenplay about it because I think film is the quickest medium to get a story out, rather than writing a book.
I considered writing a book too, but I think people don't like to read, to be honest - they want to watch. People want to see crazy things, so we decided to make a film ["Selling Isobel"] instead.
The thing that I'm most passionate about, I'm writing a book called 'Jab Jab Jab Jab Jab Right Hook,' and it really focuses on how to story-tell in a noisy, ADD world.
The greatest thing about writing a book is that at first it's all inchoate, but the more you work on it, the more the book teaches you its internal rules.
When I'm writing a book I prefer not to speak about it, because only when the book is finished can I try to understand what I've really done and to compare my intentions with the result.
I now can be sure that, once I start writing a book, I'll be able to finish it. I've also become more assured about my 'voice' as a writer and being able to keep the characters true to themselves.
I get absolutely ruthless in my own way about not doing anything else when I am trying to concentrate on writing a book. I have to stick to it and concentrate.
The sensation of writing a book is the sensation of spinning, blinded by love and daring. It is the sensation of rearing and peering from the bent tip of a grass blade, looking for a route.
Writing a book about yourself is like therapy, and you go 'Oh My God, that's the reason that happened.' Writing about it, you're forced to really examine things.
When I'm writing a book, you can't think about your audience. You're going to be in big trouble if you think about it. You're got to write from deep inside.
When I'm writing a book - say I'm going to write a parenting book. I'll go out and buy the 100 top parenting books and I will read those, not so I can copy them for sure.
Writing a book set in New Mexico was partially a way to express my own love for the state, and partially a way to prudently follow the advice to write what you know.
If you think it's worth writing a book about then that means you suspect that you're not the only one. You suspect that it has something to do with the larger patterns of your culture.
As you'll know yourself, there are these moments when you're writing a book when one remark or moment will pull everything together and you'll think, "That's it. I've got what I need."
Writing a book is a bit like going on location for a movie. You're absent from your life, your family, and your friends. You're psychologically gone, so you might as well be physically gone.
Writing a book is the most terrifying thing that I've ever done. It's so much harder than writing for television because it is a completely different skill set.
I loved writing a book in which, in some ways, it's very, very classical, and in some ways I'm breaking lots of rules about what you can do and what you can't do.
When I'm writing a book, sentence by sentence, I'm not thinking theoretically. I'm just trying to work out the story from inside the characters I've got.