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On Writing Fiction Quote of the day
I would, however, start writing fiction about 10 years before I actually did, because it's such great fun to do, many times more creative than nonfiction.
It's always wrong of course to say that you can't do this or you can't do that in fiction. You can do anything you can get away with, but nobody has ever gotten away with much.
Great fiction can often present moral messages with greater power and clarity than instructional writing - since literature, after all, penetrates not just the intellect, but the imagination.
One learns much more by writing fiction, because the insights come from those deeper subconscious levels where the greater and more interesting truths lie.
Fiction becomes a weird way to countenance yourself and to tell the truth instead of being a way to escape yourself or present yourself in a way you figure you will be maximally likable.
He would write it for the reason he felt that all great literature, fiction and nonfiction, was written: truth comes out, in the end it always comes out. He would write it because he felt he had to.
Metafiction says something. It has to do with taking a large fiction itself and writing within it; that kind of self-reflecting writing that emerges from it can be thought of as metafictional.
Two hours of writing fiction leaves this writer completely drained. For those two hours he has been in a different place with totally different people.
When I write fiction, I never try to deliver a message; I just want to tell a story. But I admit that I want the story to be memorable and the characters to touch the reader's heart.
All fiction is a process of imagining: whatever you write, in whatever genre or medium, your task is to make things up convincingly and interestingly and new.
Writing fiction takes me out of time. I sit down and the clock will not exist for me for a few hours. That’s probably as close to immortal as we’ll ever get.
Fiction must compete with first-rate reporting. If you cannot write a story that is equal to a factual account of battle in the streets or demonstrations, then you can't write a story.
I have to do more close research and fact checking for the science fiction. This is not however to say that writing good fantasy does not involve doing good research.
It means that no matter what you write, be it a biography, an autobiography, a detective novel, or a conversation on the street, it all becomes fiction as soon as you write it down.
I think if I had been writing fiction, where the work is entirely dependent on the writer's creativity and the potential directions the narrative might take are infinite, I might have frozen
To write fiction, one needs a whole series of inspirations about people in an actual environment, and then a whole lot of work on the basis of those inspirations.
When I started writing fiction it always seemed in retrospect (I didn't realise at the time) that it was always caused by environments rather than by incidents and characters.
With fiction, it could be about anything. It just has to be good writing, like Maria Semple's "Where'd You Go, Bernadette," which I read recently. I want to forget I have a book in my hand.
Whether it is done quickly or slowly, however splendid the results, the process of writing fiction is inherently, inevitably, indistinguishable from wasting time.
If you're a fiction writer, though, I can tell you how to let people talk through you. Listen. Just be quiet, and listen. Let the character talk. Don't censor, don't control. Listen, and write.
I write fiction and I'm told it's autobiography, I write autobiography and I'm told it's fiction, so since I'm so dim and they're so smart, let them decide what it is or it isn't.