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If you're a fiction writer, though, I can tell you how to let people talk through you. Listen. Just be quiet, and listen. Let the character talk. Don't censor, don't control. Listen, and write.
With me, a story usually begins with a single idea or mental picture. The writing of the story is simply a matter of working up to that moment, to explain why it happened or what caused it to follow.
At DePauw, I was teaching writing and fiction. The things I wanted to teach, more than anything else, were form and theory of the novel, of narrative. I liked those classes.
In fiction writing, I would say there are several different strands that have been woven through my own writing, and each influenced by a different group of writers.
Writing grew out of the pleasure of escape. My novels are very much outside of my personal experience. That is why I love writing fiction. It allows me to leave my existence and inhabit other lives.
You can't be wrong in journalism. Take a wrong turn in journalism, and you are writing fiction. You can take a wrong turn in poetry, and something wonderful can happen.
Even when it comes to writing fiction, how do you encompass all this stuff that's right on the tip of your tongue? You have to fold that into what you're working on.
[Jack] Kerouac was writing fiction. What he did when he wrote about me...he made me out with Russian Countesses and Swiss accounts and other things I didn't have or didn't happen and so on.
I've been writing fiction as long as I've been writing poetry. It's just that the poetry took off, and it took me a lot longer to figure out how to write a story.
I think the deepest thing is that many fiction writers tell stories but are not elegant writers. But, we're not writing journalism when we're making literature.
On Stranger Than Fiction, the script was so good that I stuck to every line because it was just such brilliant writing from Zach Helm that I felt like I really just want to shoot the page.
Much to my surprise, there's a sense for people in the cable industry that fiction writers might actually be good at script writing. You can write dialogue!
Most science fiction seemed to be written for people who already liked science fiction; I wanted to write stories for anyone, anywhere, living at any time in the history of the world.