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My friends are all geeks. And many of them are scientists who love playing outside as much as I do.
Being comedian outside of performing, you're someone who's analyzing life, and thinking about it, and observing so much. In my opinion, it can make you feel sort of on the outside looking in.
A hotel, he told me, was a big house where a lot of people lived and ate and slept, but no one knew each other. He said that described most families in the outside world.
We are dying, we are dying, we are all of us dying and nothing will stay the death-flood rising within us and soon it will rise on the world, on the outside world.
But there are all different kinds of freedom, and the kind that is most precious you will not hear much talked about in the great outside world of winning and achieving and displaying.
When you're in Hollywood, you get sort of jaded about what you think the sense of humor of Hollywood is supposed to be, so you can't think outside the box.
Feel that the energy of your willpower can easily deflect tension-causing feelings and frustrations that are directed towards you from the outside world.
I think self-expression is present at all times, and whether or not you're talking about the outside world or your responses to it depends on the moment and the subject.
When I am writing best, I really am lost in my world. I lose track of the outside world. I have a difficult time balancing between my real world and the artificial world.
The United States is a very insular society. Most people know very little about the outside world and don't care that much. They're concerned with their own affairs.
You have to think outside the box. The world is changing every day, the music industry is so different but I think the more creative you are the better.
I was fifteen, and when I picture myself then, I see flames shooting up, see myself falling off the edge of the world, and am amazed I survived not the outside world but the inside one.
A lot of poems seem, in some sense, to pull the outside world into the interior. They aren't perhaps emotion recollected in tranquillity but perception recollected in interiority.
You lift your head, you’re on your way, but really just to be walking, to be out of doors. That’s it, that’s all, and you’re there. Outdoors is our element: the exact sensation of living there.
And as we know from the pilgrimage diaries of Swami Ramdas, it is when we renounce everything that everything is given to us, in abundance. Everything: meaning the intensity of presence itself.