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Do not paint a picture either of God or the devil on your walls: this will ruin both your walls and the atmosphere.
The reason that I'm an actor, or an artist, is ultimately because I'm trying to paint a self-portrait, and the most complete and beautiful self-portrait that you can.
Everybody expresses themselves in different ways. Some people write it down, some people paint it. Some people express it in the way they speak. We just express our feelings through music.
The artist needs but a roof, a crust of bread, and his easel, and all the rest God gives him in abundance. He must live to paint and not paint to live.
I have to paint fast on television because of the limited time, but I don't want people to see what I'm showing them as work, something to worry and fret over. This is supposed to be fun.
If you know the differences between an oak and a poplar, a spruce and a pine, down to the needles... you are able to paint that tree with more conviction, even if done with a few broad strokes.
Now and then when I get an idea for a picture, I think, how ordinary. Why paint that old rock? Why not go for a walk instead? But then I realise that to someone else it may not seem so ordinary.
During a color consultation, I like to reference food as a visual. Hot fudge and orange marmalade paint a clearer picture and helps prevent end results that leave you feeling unsatisfied.
We would sift through every inch of what it was that worked, or if it didn't, and wonder what was effective in it, in terms of paint, the subject matter, the size, the drawing.
First I have tried to achieve the highest quality of technical facility possible so that I have at my fingertips the availability to create anything I want. Then I paint.
Someone has asked me to paint Biblical pictures, and I say no, I'll not paint something that we know nothing about, might just as well paint something that will happen two thousand years hence.
With a brush you have control. The paint goes on the brush and you make the mark. From experience you know exactly what will happen. With the squeegee you lose control.
I started studying as an artist, but I got fed up with the fact that you can paint terrible pictures and if you explain them in an erudite way it's called great art. I thought this was rubbish.
Cezanne said, 'I love to paint people who have grown old naturally in the country.' And I say I love to paint people who have been torn to shreds by the rat race in New York.
I've tried never to be easily satisfied, and I've been painting like fury now for forty years.... I have a feeling. You paint about as far as your emotions go, and that's about it.
I think that I still have it in my heart someday to paint a bookshop with the front yellow and pink in the evening...like a light in the midst of the darkness.
I do not know myself how I paint it. I sit down with a white board before the spot that strikes me. I look at what is before my eyes, and say to myself, that white board must become something.