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I am not an exponent of expressionism. I don't know exactly what that means, but I don't like the sound of it. I dislike cults and isms. I want to paint in terms of my own thinking and feeling.
I go to the studio every day, but I dont paint every day. I love playing with my architectural models. I love making plans. I could spend my life arranging things.
Expression is not a matter of passion mirrored on the human face or revealed by a violent gesture. When I paint a picture, its every detail is expressive.
The true professional makes art when he is not feeling good, if the studio is too cold or too warm or the walls are falling down. We are painters and we paint. If I were a sculptor, I'd sculpt.
As the decades go by, a painter's life becomes a life lived with oil paint, a story told in the thicknesses of oil. Any history of painting that does not take that obsession seriously is incomplete.
I just paint to fulfill an urge. When I don't have the urge, I just don't paint. This is not some stupid contest. But if it is, I feel like the winner that came in last.
If you put a large switch in some cave somewhere, and a sign on it saying, "End-of-the-World Switch. PLEASE TO NOT TOUCH," the paint wouldn't even have time to dry.
I paint by all the daylight we have and that is little enough, less perhaps than you have by much... imagine to yourself how a purl must look through a burnt glass.
Before this I tended to paint figures and put them in an environment. Now I paint an environment to put figures in. It's a subtle difference, but it is a difference. It's something I did naturally.
I have seen, and heard, much of Cockney impudence before now; but never expected to hear a coxcomb ask two hundred guineas for flinging a pot of paint in the public's face.
But do you know how old I will be by the time I learn to really play the piano / act / paint / write a decent play?" Yes . . . the same age you will be if you don't.