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The big painter is one who has something to say. He thus does not paint men, landscape or furniture, but an idea.
Look, Salvador Dali did not paint because he needed the money. No conversation about materialism and music makes sense. You make music and that's that, it doesn't matter why.
I paint with a language I can call my own... it takes a ruthless honesty with oneself. If one admires or is influenced by anyone else, one is not being true to oneself.
Painting, like water, takes any form. Paint is a film of pigment on a plane. It is not real in the way that gravity-bound sculpture is real. It is, however, real.
I love isolation. It's very important for me to have time and space to myself when I can sit and read or write as well as paint. It's all part of the process.
Knowing how to paint and to use one's colors rightly has not any connection with originality. This originality consists in properly expressing your own impressions.
Have you ever hung a piece of black velvet behind you and looked at yourself in the mirror? We are each of us quite alone, and that's what I try to paint.
To explicate the uses of the Brain seems as difficult a task as to paint the Soul, of which it is commonly said, that it understands all things but itself.
I would like to be a great artist. I would quit pitching if I could paint like Monet or Rousseau. But I cant. What I can do is pitch, and I can do that very well.
I want to paint men and women with that something of the external which the halo used to symbolize, and which we now seek to give by the actual radiance and vibrancy of our colorings.
Just to paint is great fun. The colours are lovely to look at and delicious to squeeze out. Matching them, however crudely, with what you see is fascinating and absolutely absorbing.
Man has the right . . . to play as he will . . . to think what he will: to speak what he will: to write what he will: to draw, paint, carve, etch, mould, build as he will: to dress as he will.