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Paint with joy - with the same joy that you would make love to a woman.
There is nothing more difficult for a truly creative painter than to paint a rose, because before he can do so he has first to forget all the roses that were ever painted.
Every conversation, every cuddle, aver kiss and caress, even every disagreement, adds another brushstroke to the picture of home you paint with the days and hours of your life.
I'm a sworn enemy of convention. I despite the conventional in anything, even the arts. I paint canvasses on the floor and drove one art teacher out of his mind. But that's just the way I paint best.
Look from the blind man's eye.... You can paint the picture, the way you like about this world, so why not think positive and make this world more beautiful for yourself and others?
The goal I proposed myself in making cubism? To paint and nothing more... with a method linked only to my thought... Neither the good nor the true; neither the useful nor the useless.
I'm not just interested in the pictorial aspects of the landscape - see a pretty place and try to paint it - but in some way to manage it, manipulate it, or see what I can turn it into.
I recently went to the hardware store and I bought some used paint... it was in a shape of a house. I also bought some batteries, but they weren't included. So I had to buy them again.
It's as interesting and as difficult to say a thing well as to paint it. There is the art of lines and colours, but the art of words exists too, and will never be less important.
Today we are searching for things in nature that are hidden behind the veil of appearance... We look for and paint this inner, spiritual side of nature.
I spend a lot of time working as a painter and in my studio I go from upstairs where I paint to downstairs where I play and record, so I get this thing crossing over.
Impressionism came about because it suddenly became apparent that pure colours mix in the eye in a more dazzling way than they have ever been mixed in paint.
Nudes are the greatest to paint. Everything you can find in a landscape or a still life or anything else is there: darkness and light, character dimension, texture. I painted heads too, of course.
Instead of art I have taught philosophy. Though technique for me is a big word, I never have taught how to paint. All my doing was to make people to see.
About 1883 something like a break occurred in my work. I had reached the end of 'impressionism,' and I had come to realize that I did not know how to paint or draw.
When I paint, I never think of selling. People simply fail to understand that we paint in order to experiment and to develop ourselves as we strive for greater heights.