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I'm more of a house painter.That's the way I work.
I am an expressionist and by that I mean that I'm not a photographer or a writer or a painter or a tap dancer, but rather someone who expresses himself according to his needs.
In fact, whatever exists in the universe, in essence, in appearance, in the imagination, the painter has first in his mind and then in his hands ... it lies in his power to create them . . .
The anarchist painter is not the one who will create anarchist pictures, but the one who will fight with all his individuality against official conventions.
I always thought that one of the reasons why a painter likes especially to have other painters look at his or her work is the shared experience of having pushed paint around.
He was the incomparable painter of mystery, silence, and the infinite, of the passing cloud, and the sunlit shimmer of the waves-subleties which none before him had been capable of suggesting.
I've done what I could as a painter and that seems to me to be sufficient. I don't want to be compared to the great masters of the past, and my painting is open to criticism; that's enough.
My mom is a painter, so I've been doing drawings and paintings as early as I can remember. Then there was this gap where I was doing graffiti in high school and making as much [traditional] art.
When a figure painter executes a landscape he treats it as if it were a face; Degas' landscapes are unparalleled because they are visionary landscapes.
Our Exhibitions [The Royal Academy] have... a mischievous tendency, by seducing the Painter to an ambition of pleasing indiscriminately the mixed multitude of people who resort to them.
A good painter has two main objects to paint, man and the intention of his soul. The former is easy, the latter hard as he has to represent it by the attitude and movement of the limbs.
My dream, maybe because of my family, of course, was to be a painter. I chose in one moment the direction of textiles; from textiles I went to fashion.