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Writers who can't invent stories often substitute style for narrative. They remind me of the painter who couldn't paint people, so he painted chairs.
A record ... is a statement, it's its own statement, its own entity, rather than being about something else. If I was a painter ... I don't paint the chair, I would paint feelings about the chair.
The effect of sincerity is to give one's work the character of a protest. The painter, being concerned only with conveying his impression, simply seeks to be himself and no one else.
I didn't know anything about conceptual art when I left Kansas. I went to Cal Arts to be a painter, but the exciting stuff was happening elsewhere, so I took a holiday from painting for a few years.
If I didn't have a conviction that a serious painter can portray Nature more profoundly than the best colour photography, I'd probably give it all up or go abstract or take up photography.
I wanted to be an artist. I was studying art. I wanted to be a great painter. When I went into the Navy, there wasn't much to draw at sea. So I began writing, and I began reading a lot.
The eye is complicated. It mixes the colors [it sees] for you ... The painter must unmix them and lay them on again shade by shade, and then the eye of the beholder takes over and mixes them again.
In literary art, as in the art of the architect, the painter, the musician, signs that the artist is thinking of his own achievement more than of his subject always offend me.
As the decades go by, a painter's life becomes a life lived with oil paint, a story told in the thicknesses of oil. Any history of painting that does not take that obsession seriously is incomplete.
A photographer's art is more in his perceptions than his execution. In a painter, I think the perception is only the first step, and then you have a kind of hard road of execution.
The great paintings are the ones with the most subtle value relationships. The closer you could bring your values and still distinguish between them, the stronger you were as a painter.
There are different paths that one can pursue as a painter. I work with the thesis that I have not as yet reached my goal. This engagement is the necessary basis from which I plan new paintings.
When the painter wishes to represent an event, he cannot place before us too great a number of personages; but he cannot employ too few when he wishes to portray an emotion.
If deceiving the eye were the only business of the art... the minute painter would be more apt to succeed. But it is not the eye, it is the mind which the painter of genius desires to address.
I'm glad movies aren't going to please everybody, they can't. But what they have to be is recognisable. I don't equate myself with a master painter, but I think you can recognise my films.
One day, in the San Francisco walk, he came upon some badly painted figures and observed that good painters imitate nature but bad ones vomit it forth.