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I have no education, I have no academic background in painting or in music, but I write music and I compose music and I write and I sell paintings, and my rule is, well, they can't arrest me.
Photography and writing are marvelous distractions from painting. I might even have found movies more interesting than photography. I tried it a bit, but not enough.
I'm not a political artist in any way, but if an idea takes me somewhere or something is emotionally impactful, I find a way to make a painting that encapsulates it.
The trend in some of the contemporary movements in art, but by no means all, seems to deny this ideal and to me appears to lead to a purely decorative conception of painting.
Speaking of nudes, I have always had a great fondness for this subject, both in my paintings and in my photos, and I must admit, not for purely artistic reasons.
Paintings are but research and experiment. I never do a painting as a work of art. All of them are researches. I search constantly and there is a logical sequence in all this research.
Painting is always strongest when in spite of composition, color, etc., it appears as a fact, or an inevitability, as opposed to a souvenir or arrangement.
Since the tubes of paint used by the artist are manufactured and ready made products we must conclude that all the paintings in the world are 'readymades aided' and also works of assemblage.
I'd asked around 10 or 15 people for suggestions. Finally one lady friend asked the right question, 'Well, what do you love most?' That's how I started painting money.
I think about women and their thoughts and ideas, and I suppose when I'm painting them I'm getting to be them, in a sense. That is why I plainly paint women.