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When I'm painting outdoors, I only have time to think about what I'm saying, not how I'm saying it.
When I was in art college, I would be painting, and I would create something on a canvas that was actually quite attractive. But if I got frightened and tried to protect that, that canvas would die.
In my opinion painting should be considered excellent in proportion as it approaches the effect of relief, while relief should be considered bad in proportion as it approaches the effect of painting.
I'm not sure that Van Gogh got up in the morning and looked at the crows and the bizarre clouds and went damn that's a good painting, you know? No, he considered shooting himself, and one day he did.
One day, in the San Francisco walk, he came upon some badly painted figures and observed that good painters imitate nature but bad ones vomit it forth.
The theme, or harmony, of a painting can be created by any one of its visual elements. A single colour... repetition of shapes... Light can be a theme.
I didn't know what to expect from a famous movie star; maybe that he'd be sort of stuck-up, you know. But not Gary Cooper. He horsed around so much... that I had a hard time painting him.
Art, if it is successful in the task of questioning reality, if it is good painting and not merely a performance of dexterity, will be an affirmation of God.
How do you complete a painting, really? There are paintings by so many different artists that are interesting precisely because they haven't really been completed.
I suggest that it is the honesty of the attempt to recreate the forms and spaces visually without artistic editing that is one of the hallmarks of realist painting.
I'm not so interested in the effort that it takes to have a self-promotional outlook. I believe in being quiet and making my work and just trying to make discoveries and let the painting evolve.
Every milieu has something ridiculous about it - film-making, the music world, painting - because people who take themselves seriously become funny pretty quickly.