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The moment an emotion or fact is transformed into a photograph it is no longer a fact but an opinion.
The photograph is a tool used to take you back to a certain point in one's life, to remember a face or a place you once stood. I feel there is always something quite melancholic about a photograph.
The real truth of life is on the streets. Photograph the daily lives of people, and how they exist, and how they fight for space and time and pleasure.
A photograph permits a first viewing, and then an individual reflection. It solicits participation, and encourages individuality in interpretation. Television is an autarchy, a dictatorship.
But I was, and still am, an avid reader and so when I first started I chose to photograph many of the great writers in this country to try and earn a living.
The suburban landscape is alien and strange and exotic. I photograph it out of longing and desire. My photographs are also about repression and internal angst.
One knows that frontal and/or profile photography is torn to pieces... Inversely, what remains of the photograph must be seen as a fragment coming to fill a gap in the drawing.
There's no particular class of photograph that I think is any better than any other class. I'm always and forever looking for the image that has spirit! I don't give a damn how it got made.
Parks and gardens are the quintessential intimate landscapes. People use them all the time, leaving their energy and memories behind. It's what's left behind that I like to photograph.
If you found yourself in a situation where you could either save a drowning man, or you could take a Pulitzer prize winning photograph of him drowning, what shutter speed and setting would you use?
If you let other people's vision get between the world and your own, you will achieve that extremely common and worthless thing, a pictorial photograph.
One person can take papers, photograph them without getting excited, return them, and give them away without any scruples; while someone else has to overcome an enormous obstacle.