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It's my obligation to take out all the 'wrong' pictures.
Well, I talk about one moment in the book, but I don't know if that's my moment of discovery. It was a moment. In the book, I talk about how I started shooting, how I became a photographer.
My photographs don't go below the surface. They don't go below anything. They're readings of the surface. I have great faith in surfaces. A good one is full of clues.
People say to me, "Who's your favorite kind of photographer?" Or "Who would be your favorite photographer to have in a workshop?" And I always say, "My Dad."
On my YouTube channel, I put up 3-4 videos a week, and I spend a lot of money to maintain that content. When I travel, I travel with a videographer and a photographer no matter what.
When they asked me what I wanted to be I said I didn’t know. "Oh, sure you know," the photographer said. "She wants," said Jay Cee wittily, "to be everything.
Almost inevitably there are tensions in the picture, tensions between the outside world and the inside world. For me, a successful picture resolves these tensions without eliminating them.
I'd like to briefly state the accomplishment that we expect from a photographer. He must make the person being photographed forget that he has eaten from the tree of knowledge.
There is a myth that the portrait photographer is supposed to make the subject relax, and that's the real person. But I'm interested in whatever is going on. And I'm not that comfortable myself.
If I hadn't been a singer, I might have been a photographer or an artist. But it's singing I love. I sing all the time, and I feel really good that I've expressed myself.
...a photographer must be aware of and concerned about the words that accompany a picture. These words should be considered as carefully as the lighting, exposure and composition of the photograph.
Actually, documentary pictures include every subject in the world - good, bad, indifferent. I have yet to see a fine photograph which is not a good document.