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Any time you talk about the look of the film, it's not just the director and the director of photography. You have to include the costume designer and the production designer.
What’s so incredibly amusing with photography is that while seemingly an art of the surface, it catches things I haven’t even noticed. And it pains me not to have seen things in all their depth.
But, o, photography! as no art is,Faithful and disappointing! That recordsDull days as dull, and hold-it smiles as frauds,And will not censor blemishes,Like washing-lines, and Hall's-Distemper boards
I made a decision that to me, photography had to be something that I could feel. I could feel in my stomach. I could not take pictures that were not connected to my own inner life.
The picture is like a prayer, an offering, and hopefully an opening through which to seek what we don't know, or already know and should take seriously.
We have - through a hundred years of photography and two decades of film - been enormously enriched... We may say we see the world with entirely different eyes.
There is no truth in photography. One can't reproduce an absolute truth. That said, I don't see [my photographs] as being any less truthful than any other photographs.
Photography has a natural affinity for the strategies of surrealism - the exaltation of chance and eros, the exploration of obsession and the release of the unconscious.
It's all the same. It's the same face. We always look for an idea, for the same face, for the same position. There is no such thing as a European or an African photography. It's all the same thing.
I feel shabby - because I've made a name, quite a good name, out of photography. And I still find myself asking the same questions: Who am I? What am I supposed to be? What have I done?
You can give some kind of spark of life to a comic that a photograph doesn't really have. A photograph, even if it's connecting with you, it seems very dead on the page sometimes.