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I had to kiss it [ playing Hamlet] goodbye because Marvel have to plot things for the next three, four years.
I don't keep anything on paper (except within an actual novel in progress, at which point I need a file to keep track of plot threads, characters, and so on).
Any claim to actual identification as a drama must rest upon the construction of a plot independent of the assignment of affliction to the protagonist.
I don't plot the books out ahead of time, I don't plan them. I don't begin at the beginning and end at the end. I don't work with an outline and I don't work in a straight line.
I began to be impressed by what made a good book-how you needed to have a sensible story, a plot that developed, with a beginning, a middle, and an end that would tie everything together.
I don't know exactly why the notion of homeownership has such a grasp on the American imagination. Perhaps as descendants of landless immigrants we turn our plots into symbols of stability.
Nonfiction ties your hands a bit, and just like writing poetry in rhyme, it can force you to make more brutal decisions in terms of word choice, plot, etc.
Some writers can produce marvelous plots without planning it out, but I can't. In particular I need to know the structure of a novel: what's going to happen in each chapter and each scene.
What I ate for breakfast on school mornings was one buttered roll--a soft roll, not a hard roll--and one cup of cocoa; any attempt to alter this menu I regarded as a plot to poison me.
Making up characters and places and plots, unlike fixing your plumbing or doing dishes, is anything but practical or rational. I write what needs to be written the way that seems genuinely right.
You can't have a movie with a group of people that are significant players in the story, that push forward the plot, without introducing at least one or two of them.