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Poetry is the report of a nuance between two moments, when people say, 'Listen!' and 'Did you see it?' 'Did you hear it? What was it?'
Poetry is the arithmetic of the easiest way and the primrose path, matched up with foam-flanked horses, bloody knuckles, and bones, on the hard ways to the stars.
Poetry is a theorem of a yellow-silk handkerchief knotted with riddles, sealed in a balloon tied to the tail of a kite flying in a white wind against a blue sky in spring.
Poetry is statement of a series of equations, with numbers and symbols changing like the changes of mirrors, pools, skies, the only never-changing sign being the sign of infinity.
Confessional poetry is, to my mind, more slippery than poems that are sloppily autobiographical; I find the confessional mode much more akin to dramatic monologue.
Poetry is probably the last gift economy. Part of the negotiation is to understand that you're going to do something you really want to do, so you're going to take whatever life comes with that.
The trouble with poetry is it's often written to the sound of a drum only the poet may hear; nonetheless, blessed are those poets who always manage to find unshakeable pleasure in their own works.
I have tried to remember throughout that poetry is made by flesh-and-blood human beings. It is a bloody art. It lives on a human scale and thrives when it is passed from hand to hand.
And a lot of poetry is putting yourself back into the state of wonder that you have before things when you're a child. It's not only a joyous wonder, it's sometimes a grief stricken wonder.
Poetry is the inner life of a culture, its nervous system, its deepest way of imagining the world. A culture that ignores its poets, chokes off its nervous system and becomes mortally ill.
I think poetry is the best thing I do. It's certainly the purest. I seem to switch gears without too much trouble. Non-fiction is in many ways the easiest to write.
True poetry is truer than science, because it is synthetic, and seizes at once what the combination of all the sciences is able, at most, to attain as a final result.
The great modern heresy in poetry is to confuse the use we make of words in a poem with modalities of speech...For true poetry is never speech but always a song.
If Rumi is the most-read poet in America today, Coleman Barks is in good part responsible. His ear for the truly divine madness in Rumi’s poetry is really remarkable.
One thing I feel is this: that a great deal of poetry is the product of adolescence-or of an emotionally adolescent frame of mind: and that as this state of mind changes, poetry is likely to dry up.