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I don't think you should sit around and wait for people to give you an opportunity to express yourself or do your work, or whatever. Actors have to be producers and writers have to be producers.
I have an amazing team, I have amazing producers, I have amazing writers, but at the end of it, it's me making the decisions on the writing, the tone, the editing.
When people think of diversity, they think people of color, but it also means women, who are severely underrepresented as directors, writers and producers.
But we were doing plays and movies which I had nothing to do with other than being a producer, and I don't have that kind of interest or time any more.
I had this producer who became a friend, named Lou [Stellato]. Maybe it was a budget thing, but he never wanted to do any retakes. The more I would have a mental breakdown on the air.
When I auditioned for 'Wedding Crashers,' the producers had never seen any of my other work except for Bond. I got 'Wedding Crashers' partly because I was a Bond girl.
Producers and studios want to make movies that are more appealing internationally and I think that you have to use your different cultures as an advantage to be able to make those movies.
Most cornmeal producers dont tell you when their cornmeal was milled, which makes it difficult to know how long the product has been sitting in the store before you bought it.
When you work for Bruckheimer, you don't get it any better. He's the ultimate producer. I've had the good fortune of working with some great producers over the years.
There's a classic story I tell about when I did the Man Show about the retarded conversations that you have with the executive producers and the network.
I went to see 'Listen to My Heart: The Songs of David Friedman.' I have been a fan of his music for years, and I was invited to opening night because I know one of the producers.
I wanted to work with those boys (producers Andy and Larry Wachowski) because they're so eccentric and peculiar. Larry, of course, is halfway towards being a woman now. It's a crazy world.
I knew about the music. I got that part but I wanted to know the business, I wanted to know about royalties, how people got paid, producers and stuff like that so I read all those books like twice.
I wrote and concepted 99% of the ideas for Crash Landing and we reached out to a lot of different popular producers like Jahlil, KE, Kajmir Royale, Hit-Boy etc.
I do like the idea of pulling in different producers to get new perspectives. That's what I did with Vows and I feel it just gives variety and makes for a more exciting journey for the listener.