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New York is the Hollywood of the publishing industry, complete with stars, starlets, suicidal publishers/producers, intrigues, and a lot of money.
Were also far enough from the publishing power that we have no access to the politics of publishing, although there are interpersonal politics, of course.
Any institution becomes a community - whether it's a high school or a boarding school or a publishing company or a small town where everybody knows certain things about people.
The dirty little secret of publishing is that, all along, each book sold has had an average of 5 readers. That's an 80% "piracy" rate if you insist on looking at it in those terms.
There are those who believe we have need of more literature, of a large international publishing house, of a great peace newspaper, or the like. I am rather skeptical about this idea.
I used to be with a publishing house called Roosevelt Music. A gentleman there told me he had seen Peggy Lee perform Fever in Las Vegas and I found out later she wanted to record it.
The magazine was being started by a company that had no experience in business magazine publishing. It was a little difficult to get people to sort of buy into it and to join the staff, but we did.
Planet Lucy Press? I incorporated myself to deal with publishing and was calling myself Big Bang Incorporated, which of course has to do with the Big Bang at the beginning of creation.
I had a hard time publishing my books in the beginning of my career, because editors were afraid what people would think of THEM, personally, if their name was associated with me
I've been here 21 years, and I literally did walk up and down Music Row trying to break into the business. I felt very free to go into any publishing company.
Like Elmore Leonard and Donald Westlake and Robert B. Parker and oh so many others, I want to die with my boots on, facedown on my keyboard if possible, in the middle of a sentence.
Of all the climatologists whose careers depend on the climate changing to keep themselves publishing articles — yes, I could read that, but I don't believe it.
So I'm leaving Sony, a free agent, owning half of Sony. I own half of Sony's Publishing. I'm leaving them, and they're very angry at me, because I just did good business, you know.
When I started publishing, I got offers to write for big magazines. But I would always say, "Well, it's not that I don't want to write for these big magazines, but you can't edit it."
As publishing has become less expensive, the urge to write my own self has become the opportunity to publish my own self. Everyone now can afford to preach in the desert.
When we started publishing, you had to be better than good. You had to be excellent. But as long as people are reading, I don't care what they're reading.
An author who gives a manager or publisher any rights in his work except those immediately and specifically required for its publication or performance is for business purposes an imbecile.
I have to declare in all candor that no one interested in being published in our time can afford to be so naive as to believe that a book will make it merely because it's good.