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I write for the same reason I read: because it's all there is for me.
This person realizes that staying home means blowing off everyone this person has ever known. But the desire to stay in is very strong. This person wants to run a bath and then read in bed.
Some people there are who, being grown; forget the horrible task of learning to read. It is perhaps the greatest single effort that the human undertakes, and he must do it as a child.
I'd like to imagine that "dreamoir" becomes a subgenre of nonfiction, maybe ultimately because I'd love to read many more dreamoirs by other writers - poets and memoirists especially.
If I know what your messages are, if I can read those, I'll probably be able to conclude where you're going, who you're with, the location the message was sent.
I like to carry around extremely pretentious books, and I don't know if I can read them, but if I hold them near me, it imbues me with a sense of powerful intelligence.
Read between the lines, folks, 'cause I'm here to tell you you're not getting the straight story. Ever. You're getting variations of the truth, if you're lucky.
I had experiences along the way that helped me to realize that letting go was the way that worked for me to find something that I, personally, as a reader, love to read.
Any writer worth his salt knows that only a small proportion of literature does nore than partly compensate people for the damage they have suffered in learning to read.
The newspaper journalists like to believe the worst; they can sell more papers that way, as one of them told me himself; for even upstanding and respectable people dearly love to read ill of others.
I don't have much interest in writing if there are not opportunities to crack open the inherited forms. The writing I love to read most does this as well. I'm a form junkie.
I do have spare time and I love to read, and I love just to go to a national park and just relax and just think. But most of the time, it's swimming or talking.
Normally, when I read a script, it takes me two and a half hours. I usually put it down and come back to it. So, I know if I can read a script in one sitting, it's a fantastic script.
I love to read about anger. A "feel bad" book always makes me feel good. And no other novel in the history of literature is more depressing than Christina Stead's The Man Who Loved Children.
I myself love to read those Victorian novels which go on and on, and you don't read them in one sitting. You might read one over the course of a summer, but that isn't what I want to write.
Accents are very tangible, blessedly, and if you have to do one, it's a way of getting into character. I can read it through a few times and pretend I know what I'm doing!