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Sometimes the easiest-seeming stories to a reader are the hardest kind to write.
Of asking nothing of the reader - but offering a still, quiet oasis in the cybersphere to go vertical with God. An island of stillness to know that He is God.
I want all my books to provoke some kind of response in the reader, to make them think something or feel something or both, and for that to become a part of them and work into their own lives.
A reader is doubly guilty of bad manners against an author when he praises his second book at the expense of his first (or vice versa) and then expects the author to be grateful for what he has done.
Humor, for me, is really a gate of departure. Its a way of enticing a reader into a poem so that less funny things can take place later. It really is not an end in itself, but a means to an end.
ELEGY, n. A composition in verse, in which, without employing any of the methods of humor, the writer aims to produce in the reader's mind the dampest kind of dejection.
You're talking to someone, to a reader, and you get to express in the way you want to. And you get to play with it. It's kind of like acting, but it's on paper.
I think that Mary Poppins needs a subtle reader, in many respects, to grasp all its implications, and I understand that these cannot be translated in terms of the film.
Once the reader firmly grasps the truth of human exceptionalism under our Creator God, then the answers to confusing cultural issues begin to be clear.
In the moment of reading, the writer comes up to the surface and the reader comes up to the surface and they kiss, like two fish. That actually does happen.
Every novel is an equal collaboration between the writer and the reader and it is the only place in the world where two strangers can meet on terms of absolute intimacy.