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One of the things I love, and I'm a voracious reader as well as a writer, is books that surprise me, that are not predictable.
I think the trick of being a writer is to basically put your cards out there all the time and be willing to be as in the dark about what happens next as your reader would be at that time.
When you talk about a reader being emotionally moved, a feeling of empathy, I think that comes out of that line-by-line respect for reader. That's actually where it all comes from.
As a writer I'm essentially just trying to impersonate a first-time reader, who picks up the story and has to decide, at every point, whether to keep going.
I am always considering the reader. Although this is admittedly kind of odd: Which reader? On what day? In what mood? For me, that "reader" is actually just me, if I had never read the story before.
I believe that, when [meeting of writer and reader] happens and the reader goes out into the world the next day, there's some alteration that might possibly inflect the person positively.
Semicolons . . . signal, rather than shout, a relationship. . . . A semicolon is a compliment from the writer to the reader. It says: "I don't have to draw you a picture; a hint will do."
What's the function of poetry? It's to express general truths, to connect with the reader and make him think: 'Wow, I've experienced that, but you've expressed it so much better.'
...in the theatre the stage keeps the audience aware of the fictional nature of the action. The reader poring over a magazine, on the other hand, identifies what he sees in the photographs as real.
I know that as a writer I'm trying to, in some small way, return the gift that I got, and maybe provide a reader the kind of experience that has changed my life.
Victoria Roberts spins an exciting Highland tale of intrigue, betrayal, and love with a braw Highland hero and strong English heroine any reader will love.
I like moral judgment to emerge from the reader. We are being sold a very simplistic morality by our leaders at a time when nuance and understanding are at a premium.
The most annoying and full- of- crap thing a writer says is, I write only for myself, I don't care if anyone reads it. A writer without a reader doesn't exist.
And a more foolish notion can scarcely be imagined, it being obvious that the reader is only informed of what the writer wishes him to know, and is thus seduced into believing almost anything.
I suppose anyone who has ever written a travel book has had the experience of being accosted by a reader with blood in his eye and a lawsuit in his voice.
It’s as much a writer’s concern, who is responsible to his readers for all the books written before him as well as those which will be written after him.