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You say what you have to say. But you have to learn to say it in such a way that the reader can see what you mean.
A story has to be a good date, because the reader can stop at any time. Remember, readers are selfish and have no compulsion to be decent about anything.
I ask the reader to remember that what is most obvious may be most worthy of analysis. Fertile vistas may open out when commonplace facts are examined from a fresh point of view.
Giving the reader the space to move around and be active, and encourage their active response is important to me. That will connect the reader more to the text.
My only obligation as a fiction writer is to the story, to make it good, so good the busy reader doesn't feel that flipping those pages was a waste of time. And I still believe that.
Books connect us with others, but that connection is created in solitude, one reader in one chair hearing one writer, what John Irving refers to as one genius speaking to another.
After A Perfect Storm came out, I heard from a young reader, who had suffered a similar background as Arizona, that I had helped her to find peace. That was the most amazing thing in the world to me.
Rather than a teaching tool, I think a novel is more of a witnessing entity. A witnessing entity? What is that? I just want the reader to step in and experience it as a story.
I don't believe a good poet is very often deliberately obscure. A poet writes in a way necessary to him or her; the reader may then find the poem difficult.
To be simple, I would say a story has to have a bit of narrative, if only "she says," and then enough of a creation of a different time and place to transport the reader.
The reader cannot see into your heart. He will know only what you tell him. Make the blind see your words. Make the hard-hearted feel. Make the deaf hear.
Make the verses flow together. If a following verse has nothing to do with the previous, you may lose our listener/reader. You want a smooth flow to hear or read, and it's easier to memorize.
A reader can never tell if it's a real thimble or an imaginary thimble, because by the time you're reading it, they're the same. It's a thimble. It's in the book.