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Reading is one of the most individual things that happens. So every reader is going to read a piece in a slightly different way, sometimes a radically different way.
Perhaps first and foremost is the challenge of taking what I find as a reader and making it into a poem that, primarily, has to be a plausible poem in English.
Almost anything is too much. I am trying in my poems to have the reader be the experiencer. I do not want to be there. It is not even a walk we take together.
My mother was an English teacher before she became a full-time mom, and a huge proponent of reading, so she made sure I was an early and vigorous reader.
A good quote is a beautiful inspirational spring branch in the reader's mind; it is a powerful propulsive force too, just like a wind! All men need winds!
Frederick Buechner brings the reader to his knees, sometimes in laughter, sometimes in an astonishment very close to prayer, and at the best of times in a combination of both.
An able reader often discovers in other people's writings perfections beyond those that the author put in or perceived, and lends them richer meanings and aspects.
And therefore, Reader, I myself am the subject of my book: it is not reasonable that you should employ your leisure on a topic so frivolous and so vain. Therefore, Farewell.
I don't think I'm more of a screenwriter than I am a fiction writer. I'm more of a reader than a film-watcher, so I imagine that I'm not approaching fiction or films in a particularly cinematic way.
In certain places, not always, there are moments where I tried to convey in English a sense of foreignness. I wanted the reader to get the sense that another language is being spoken.
I wanted [the book 'There are More Beautiful Things Than Beyoncé?'] to be colorful. I wanted it to be evocative. I wanted a figure of a black woman that the reader has to confront.