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Refugee Quote of the day
When I was younger I was completely without money - when I was studying in Budapest, when I was a refugee
Refugee problems can only be solved in the region (of origin) - maybe with a little help from the UN. Governments must provide something for their countries. They need to deliver.
I think that these flows of refugee are the inevitable counterparts to the flow of capital and goods. In other words, they too are by-products of globalisation.
Our world is facing a refugee crisis of a magnitude not seen since the Second World War. This presents us with great challenges and many hard decisions.
If global warming is not contained, the West will face a choice of a refugee crisis of unimaginable proportions, or direct complicity in crimes against humanity.
While I regard the Nakba as an ongoing crime that needs to be prosecuted and reversed...Shavit defends its necessity and lectures Palestinians trapped in squalid refugee camps to just get over it.
It is not enough to defend our values at home, in our newspapers and in our institutions. We also have to defend them in the refugee camps of the Middle East, and the ruined ghost towns of Syria.
The Refugee Convention of 1951 was a major breakthrough, outlining the rights of those displaced across borders as well as the legal obligations of states to protect them.
Turkey is doing an enormous amount in the refugee question, but it can't continue to pay for everything by itself. That is why we have to talk to Turkey about money.
The refugee resettlement program is a kind of worldwide business. There is pressure to keep the numbers up even as you are struggling with the people who do come in.
Every new refugee to a society, whether it's the United States or some other place, is subjected to fear. They are the new outsider population, the new other.
In 2013 we had never faced a crisis like the Syrian refugee crisis now. Up until that point, a refugee meant someone fleeing oppression, fleeing Communism like it is in my community.
I feel every medium of art needs to heal to some degree. It can't live in it's own void, and this came from my earliest experiences as a young refugee.
Terry Farish seems to breathe the reader into the emotional spaces of war, exile, and refugee life. The Good Braider is a delicate stunning exploration of its young protagonist's life and heart.
While I was rapping I was always involved in youth work - I ran music workshops for teenagers and young offenders all the time and also ran a charity for refugee kids for a time.
I always feel very connected to Canada. My reference for everything is my Canadian background, my life in Canada. Particularly on this issue of refugee immigration: I couldn't be prouder of Canada.
A pioneer in this genre [ writing about the refugee crisis] : the book A Seventh Man, by the great John Berger, decades ago evoked the lives of migrant workers in Europe.
I think writers can respond by writing about the refugee crisis, by looking at problems faced by migrants, by trying hard to portray them as the human beings that they are.
Almost every continent in the world, including our own, has refugees. But how often when we hear the word do we pause to remind ourselves what being a refugee means?