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The best kind of performance review is no performance review
Most high courts in other nations do not have discretion, such as we enjoy, in selecting the cases that the high court reviews. Our court is virtually alone in the amount of discretion it has.
All over the web there are some very good critics and it's become for people who are interested. It's become a very good way to get to reviews and involve yourself in discussions.
So far I haven't really been prominent enough to get critical attention focused on me. So, of course, I fully expect bad reviews, but I will be wracked with misery as a result.
I tend to not only read reviews, but also every little stupid thing online. It's a very bad idea, and there's a lot of angry people in the world. And it's weird to absorb all that weirdness.
The only reason I didn't kill myself after I read the reviews of my first book was because we have two rivers in New York and I couldn't decide which one to jumo into.
Because I don't give the studios advanced quotes or an advanced look at my reviews. I think the readers deserve to read my reviews before the studios do.
There's no such thing as a short review. It will take a long time to get it started. That's the reality. And it will be probably even longer to complete it.
I do this for the sake of myself. It's a selfish process. I don't really have any expectations from anyone for your comments or your reviews or your previews.
The stories of wine lords who trade wine on intimidation or food critics who trade free meals for reviews those are the stories of my life. I am telling the stories of my life in a true way.
I do not believe writers should read reviews of their own books, and I do not. If one is not careful one is soon writing to please reviewers and not their audience or themselves.
I don't usually read reviews. I usually read the interviews, just because I figure it's a good way to try to do them better if I ever have to do them again.
We will also require that follow-up reviews take place on a regular basis determined by the sensitive nature of the security involved. The review will be very much exact and recommended by experts.
Reviews for someone like me come in three packages. One is justifiable praise, the second is justifiable criticism, and the third is, "This is only published because he's a celebrity."
I've experienced huge kindness here, a great welcome and some very generous reviews without the snide social edge I often suffer from at home. I'm not patronized here either, which I much appreciate!
I don't read reviews and I don't know what to do with opinions, so I just lose them. They take up space, they become a process of manufacturing a persona, which I want to avoid.
I'm used to getting reviews. I try not to read much because you'll always focus on the bad ones and not remember the good ones, so it can be a negative thing for a performer.
Some reviews give pain. This is regrettable, but no author has the right to whine. He was not obliged to be an author. He invited publicity, and he must take the publicity that comes along.
I rarely write in my own voice except in book reviews and memoirs; otherwise, I am writing in mediated voices, modulated in terms of the characters whom the voices express.