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I don't read my own reviews and I haven't for probably 15 years. I read other people's reviews, though.
A lot of people believe in reading reviews. If I get too focused on some detail of what they've said about me, I'm going to end up shooting myself in the foot.
I love my job, and I love books. I read anything, including cereal boxes. I care deeply about what people think of my books, and I memorize my reviews. I love to hear from my readers.
Send me no more reviews of any kind. I will read no more of evil or good in that line. Walter Scott has not read a review of himself for thirteen years .
People see your reviews sometimes, and it's so good that they think I wrote it. And I'm like, "OK, yeah, I wrote it. And I own the company that put it out."
But in another, I think a woman's going to go into a shop to find a coat or a jacket and I just don't think she's not going to go into a shop because of a bad review she probably didn't even read.
A life without purpose is like a novel without a plot. It wanders all over the place, is hard to follow, and in the end, doesn't get particularly good reviews.
When you're rereading or editing your book and you start to expect that this work is going to be reviewed, and you can sort of tell which line is going to show up in reviews.
I don't read reviews any more, but I'm told by my publisher who gives me an account of what people have been writing and it's been a very split kind of response.
And it's always possible that you will not get a nice review. So - and that's enraging of course, to get a bad review, you can't talk back, and it's sort of shaming in a way.
If I like a book, I tend to read the author's entire collection. But I choose mainly through personal recommendations, general word of mouth and book reviews.
I have an RSS reader, Feeddler. I mostly subscribe to board game blogs - they have reviews of new games and discussions about trends. It's straight-up dork talk.
I have sparred with commenters as a music writer (on The Rumpus, among other places, see e.g., my review about Taylor Swift), and that was plenty of training!
I don't read the reviews because they're too horrible and the reviewers have not been big supporters of mine over the years, probably because I make these big populist movies and they hate it.
That's the thing with independent cinema: They all get good reviews, and they don't make money. Some of them are good. Some are great. And some are terrible.
No movie becomes a hit without good reviews and word-of-mouth. No agency ever became a great brand by merely saying it was great - in advertising or by any other medium.
I don't hire any companies or ask any of my friends to write reviews for me on Amazon when I have a book come out so they can drive up my ratings on Amazon. I don't have a publicist.
After one of my plays came out, I had mixed reviews, some bad and some good. One day, it dawned on me. I thought, 'I wrote a play and he wrote a review, and that's the difference between him and me.'