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I think one of the big challenges about science fiction is finding truth to relate to as an actor.
My favourite all-time work of fiction: Lord of the Rings. My favourite all-time nonfiction book: Guns, Germs, and Steel. Ask me again next week, you'll get a different answer.
I'm not interested in making a diagnostic novel or a concern. I'm 100 percent committed in fiction to the pleasure principle - that's what fiction is, and should be.
I'm writing another novel and I know what I'm going to do after, which may be something more like this again, maybe some strange mixture of fiction and non-fiction.
Anyway, several rewrites later, Del Rey Books did publish my first novel, and it did become the first work of fiction on the New York Times trade paperback bestseller list.
Fiction is not a dream. Nor is it guesswork. It is imagining based on facts, and the facts must be accurate or the work of imagining will not stand up.
I wrote for twelve years and collected 250 rejection slips before getting any fiction published, so I guess outside reinforcement isn't all that important to me.
Redheaded Peckerwood, which unerringly walks the fine line between fiction and nonfiction, is a disturbingly beautiful narrative about unfathomable violence and its place on the land
There are two kinds of characters in all fiction, the born and the synthetic. If the writer has to ask himself questions - is he tall, is he short? - he had better quit.
The acceptance that all that is solid has melted into the air, that reality and morality are not givens but imperfect human constructs, is the point from which fiction begins.
The tricks of magic follow the archetypes of narrative fiction — there are tales of creation and loss, death and resurrection, and obstacles that must be overcome.