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There are a lot of good stories out there, but I haven't found too many great scripts.
When you sign on to say, "Okay, yeah, let's develop this," usually that turns into, "Oh, he's doing it." But there's no script for some of these things.
TV feels quite constipated, and the thing I find particularly difficult is the branding of the channels where it's not 'Is it a good script?' but 'Is it a BBC2 script?'
There are tons of stories out there. I read a lot of scripts on a weekly basis. I'm looking for stories to tell and stories that I hope will be interesting to an audience.
Jackson doesn't bother to read the scripts anymore. He just checks to make sure he has one loud scene where he gets to shout, then cashes the paycheck.
What made me want to be on it was reading a really good script, and being compelled by and attracted to the characters. I really loved Maura Isles, who was very fascinating to me.
The guy that picked me up at the airport in 1985 when I was out in L.A. for my first audition was selling a script. I was a nobody coming off a plane to read for a new show.
Sometimes you do a film because the script is amazing, sometimes you do it because you get to work with amazing people, and sometimes you do a film because they pay you money.
Once I started selling scripts for a great deal of money - action scripts, no less, which people tend to pooh-pooh anyway - then I started to get some backlash. Which I didn't mind.
I've always written my own scripts, I really like doing everything from the beginning and taking it all the way through, I've probably learned that from my dad.
EastEnders' keeps me so busy - that is where I'm at and I can't see that changing too soon. There's nothing that has quite got the punch of an 'EastEnders' script.
I love 'Safe Men.' Now it's getting all this culty kind of - it just came out on DVD. That was awesome. I read that script, I never laughed so hard in my life.
People kept passing our [ with Robert Ben Garant] script around, and suddenly we had this reputation as screenwriters, which we're not - we're sketch comedy guys.
I often get sent scripts about little men in big situations. There's a comic element to it, which is forces stacked against this little guy, and how is he going to defeat them?
There's not a huge pile of scripts at home. It's what happens to be on the table at that moment with your availability. And then you have no control over when these things come out.