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For me, mood is something you have to ignore. I try to put myself in that position when I'm shooting and try to react the way I would. I try not to play funny if it doesn't call for that.
The camera's perspective exactly matches that of the assassin: it now shoots the tourists shooting their own memorial photos, and we can watch this in real time.
It's a lot of power to give the director to edit his own stuff. It's also a time thing: you don't want to have to wait for the guy to finish shooting before he starts editing.
It's always the thing when you're shooting out and about with real people and you could get a couple of bogeys like sticking their face in front of the camera, like 'Hey!'
There's not much of a difference shooting something for TV and shooting something for film; the difference is film is in a cinema and TV is in your home.
I'd like to have the script in a much better place from day one of shooting, rather than trying to continue to work on it while you shoot it. I think those are lessons you learn on any film.
Nobody could disappear to their trailer once it was up and running, you were all there on the same stage. It was 10 days of rehearsal and 10 days of shooting, which was very tiring.
You know, episodic TV directing is a very long and arduous job. You have very short schedules, short short shooting days, and you have to get lot of pages done.
A lot of people believe in reading reviews. If I get too focused on some detail of what they've said about me, I'm going to end up shooting myself in the foot.
Whenever I'm not shooting, I'm in the editing room with my footage. While the crew is taking 15 minutes to an hour to set up the next shot, I'm behind the Avid, putting the flick together.
I've been trained by a two-time world champion kickboxer, who's local to where I come from, and who is really just there to keep me fit and healthy while I'm shooting.
I'm a tomboy. I really love sports. I'm really looking forward to being the sniper gal, running around and shooting zombies. I find that really exhilarating.
Watching my own past heartache and experience day after day - it was gut-wrenching, cathartic, beautiful, and painful. That and shooting the film in less than a month.
With animation, if something does not fit, you always have the time to change it. When you make a live-action movie, when your days of shooting are over, they are over forever.