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You know, life is long. My shooting career is long.
The great thing about filming a film is that you all have your final day's shooting, but you always know that you're all going to be coming back for the premiere.
We were shooting this movie called "Hardball," with Keanu Reeves. We shot in the city, and I just remember I couldn't really do too much. At 13 or 14, you couldn't go out to any nightlife.
I believe in the autobiographical concept only to the degree that I am able to put onto film all that's passing through my head at the moment of shooting.
Jessica Jones is very unique, and we are all in awe of the response from the public. It seems that everyone connected with the character, and we enjoyed shooting it.
I haven't had ice-cream in a year, although I did have a slice of pizza. People don't realise that when you're shooting a movie it's only three months to get in shape for.
As an actor if you're working you're usually in three places, you're either prepping something, you're shooting something, or you're post on something or promoting something.
I wouldn't call it "police reform," but I would say that police procedure enhancement could be helpful - these police shootings are absolutely horrible.
I was out on the shooting range twice a week [for Skyfall]. I worked out with a personal trainer for two hours a day, five days a week. So, it was quite demanding!
I go to yoga classes as well as practicing myself. I'm always open to new experiences and when I'm in different cities shooting, I try some local classes sometimes.
[While shooting close-ups] you study real eyes, you study how the light reflects in them, you study the back of the eye, you study the way irises reflect emotion. You go into great scientific detail.
I couldn't stop to be upset or depressed about anything when I was at Tiger Stadium with Billy Crystal shooting for three weeks. I was going to enjoy every second - even though apparently I didn't.
Before digital, I spent thirty years shooting color transparencies, which are very unforgiving of exposure. A half stop can make or break a good photo on slide film.
I wash my hair after every shoot. If I'm not shooting I can normally do it every other day. I always follow my tailored haircare routine and stick to that, and I always get great results.
Without a good cultural policy, without adequate help, we will always have individualists, shooting stars who are rapidly forgotten or who stop painting for a more profitable occupation.
I was fifteen, and when I picture myself then, I see flames shooting up, see myself falling off the edge of the world, and am amazed I survived not the outside world but the inside one.
It's like a visual connection between the girl I'm shooting and me, a bunch of triggers. A lot of girls I'll just shoot once or twice, but with certain special ones I'll go a bit further.
I love David Fincher - even though it was just two scenes, I loved the way we worked and could tell by the way he was shooting it that this was going to be an affective movie to say the least.
When you're on a sound stage and you're shooting a fire stunt, this weird thing happens where the fire eats up all the oxygen and everybody gets a little dingy.
The problem for independent filmmakers is that huge companies control all the promotion, all the advertising. Hollywood films' advertising budgets are as large as their shooting budgets.
Shooting on the street in Brazil - compared to people trying to sneak a picture of something, if you're shooting in the States or Canada - people would literally just try to grab you.
I liken the current situation to that of the Starship Enterprise. The shields are up and the Klingons are shooting at us and every time they land a punch they are sapping our power.