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I enjoy shooting. Around where I live, it's something you do for entertainment once in a while, you go out and shoot targets.
Once we start shooting, it's in there. You're trying to get into a place where you rise to the work, rather than make it manageable or make it work for you.
And that was always my father's favorite part about shooting as well. Often my dad would shoot very, very late, he was quite a workaholic, they would do 20, 20-hour shoots and stuff like that.
You can just imagine the restrictions of shooting in a prison, but I just decided I'm going to embrace those restrictions sometimes when you don't have many choices you can make the best choices.
If someone suddenly lost their director the day before shooting and wanted me to step in, I'd be willing to. But I'd do brain surgery the same way. I'm always up for something new.
Shooting a movie can be so tedious. You're trying to get 20 different angles on the same swing. You never get into a rhythm. But I took it very seriously.
Why did people run around in random directions when shooting started instead of literally hitting the deck to stay out of the line of fire? How stupid could you get?
Hillary Clinton tweeted "Charlotte should release police video of the Keith Lamont Scott shooting without delay. The Clinton campaign has since announced that Clinton will travel to Charlotte.
Even after forty years of directing, shooting and editing films, when I collaborate with a male partner, people still perceive the man as the primary filmmaker.
The U.S. team has swept all the medals in the skeet shooting event. So despite our bad economy, it's nice to know our country has never been safer from an attack of skeets.
I like shooting things in single takes. You have to rely on the idea itself to carry the full weight; you're always watching the idea, not the filmmaking.
We're making so many images today and it's unbelievable. I shoot stuff all the time. I try to figure a lot out before I paint. I do a tremendous amount of shooting.
The digital formats keep changing so rapidly. I feel like so many people are shooting digital but the quality is being lost. There's a texture and a richness to the 35 format that's incomparable.
I was shooting one day and it struck me that I was the age that Shirley MacLaine was when she played my mother. I had to sit down. I had to get a chair, okay? It was a weird moment.
I always say writing is like dreaming, shooting is like living, and editing is like murder, because you take all these gifts that actors give you, and you cut them.
When I was shooting 'The Bourne Identity,' I had a mantra: 'How come you never see James Bond pay a phone bill?' It sounds trite, but it became the foundation of that franchise.
When I was 19, I picked up an old, tiny, automatic Yashica camera and I just started shooting. We didn't have iPhones back then, we didn't even have cell phones. I loved having a camera in my hand.
I think that work has been the key for me. Just like they say shooting will become easy if you just keep working at it, well, I love the dribble game-that brings excitement to the game.
As an editor, you're constantly dealing with the best way to convey an exchange between two people. So when I'm shooting, I'm just aware in the back of my head what an editor might want.