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(The short story) is a form that has all the power of the novel - some would say more - but none of the self-importance.
You know, I once read a short story about how much you could tell about people from their shoes. You could tell where they had been, what they did, whether they were real walkers.
I never know exactly where I'm going with a story, whether it's a short story or a novel. If I did I'd soon grow bored of it. The fun, for me, is in the finding out and the making sense of it.
If writing a novel is a year's exile to a foreign country, writing a short story is a weekend spent somewhere exotic. They're much more like vacations, more exciting and different, and you're off.
I don’t think I would ever want to be a writer of detective stories - but I would like to be a detective and there is a large deal of detection in the short story.
I believe that the short story is as different a form from the novel as poetry is, and the best stories seem to me to be perhaps closer in spirit to poetry than to novels.
A novel requires a certain kind of world-building and also a certain kind of closure, ultimately. Whereas with a short story you have this sense that there are hinges that the reader doesn't see.
I've been many kinds of writers in my career: novelist; tele-playwright; short story writer. As a high-school student, I wrote amateur pieces for fanzines, and I've written for Hollywood.
If Francoise Sagan hadn't written a book called A Chateau in Sweden, I would certainly write a short story called A Chateau in Puerto Rico. And I may yet.
I sat down and wrote a short story in two weeks and submitted it to Marion Zimmer Bradley. And Marion bought "Wound On The Moon" .My first sale and my first pro sale rolled into one.
A good short story is a work of art which daunts us in proportion to its brevity.... No inspiration is too noble for it; no amountof hard work is too severe for it.
Having made films, I know very well that the scope of the average 90- to 120-minute movie is about the same narrative heft as a long short story or a novella.
I've written some short stories about my personal experience, but it's not something you can use everywhere. Every novel, every work of fiction, needs its own food.
I'll take a [Pavel] Chekhov comparison any day! He's of course one of the great masters at the short story form, and has helped define traditional conflict as we understand it.
I used to take my short stories to girls' homes and read them to them. Can you imagine the reaction reading a short story to a girl instead of pawing her?
I think that too often we, film directors, think that a big epic novel and feature film are the same. It's a lie. A feature film is much closer to a short story actually.
The events of life have never fallen into the form of the short story or the form of the poem, or into any other form.Yourown consciousnessisthe only formyouneed.
A short story is a shard, a sliver, a vignette. It's a biopsy on the human condition but it doesn't have this capacity to think autonomously for itself.
Sometimes I do work on a longer manuscript in tandem with one or two shorter pieces - whether it's a short story or an essay (though I don't write many of the latter).
One night I had a dream and woke up and wrote down the dream. That was my first short story. The dream was a kind of fantasy of me getting revenge on my father.
I'm constantly trying to figure out how to crack that mystery; how to make a novel that has a sense of immediacy of a short story. I try to do that and I'll try it again, but I'll never get it.