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If your body is not in shape to sing [from the diaphragm] you will push and push but keep falling back on your throat to make the sound. This will ruin your voice.
gospel singing ... is the rawest, sweetest, uninhibited and exquisite sounds a person can make or hear. It isn't music, it's an entire experience you feel and live. A sound to rise you up again.
I'm very conscious of developing my singing, technically and stylistically. I want it to become more individual, express more of me. That's my goal. These songs are steps along that way.
Frank Sinatra said this great thing, that singing isn't about singing in tune, or great technical singing. It's about making people believe in the story you're telling.
There are mountainous, arduous days, up which one takes an infinite time to climb, and downward-sloping days which one can descend at full tilt, singing as one goes.
I must absorb everything while I'm still singing and step onto the stages of my many homes, and look out at the familiar surroundings, at the people who have come to hear me, to hear music.
Singing shows are fun. Every viewer has their own opinion. We all know whether we think a voice sounds good or not. There's a play-along element. All these shows can be supported.
I've been performing since I came out of the womb. I've been dancing and singing since I was a toddler. Acting seemed like a natural progression from that.
I don't like bands who would play music like Code. I mean I hate most bands with emotional singing parts (I adore metal singing like Iron Maiden though!)
We need to welcome the experimental creativity that is always searching out new ways of singing the Gospel, and banish the fear that grips us when familiar music passes away.
It's a bit shocking when you show up in Africa or you're in the middle of Spain and there are people that know the words and the young kids singing along.
It's what I'll be singing in the morning. It won't be God Save the Ruddy King or All Things bleeding Bright and Beautiful. It'll be Orange and Lemons for Big Joe, for all of us.
I had serious performance stage fright. I kept my singing to the confines of my shower and car, while doing the dishes, and in my basement, but I would burst out crying if anyone asked me to sing.
There was never any pressure on me to go into the business, but I was always aware of it. I'd go on the set with my father and he and my mother would always be singing.
There's no feeling as a musician better than being on stage, sharing music with strangers. People you have never met, singing along, and making that connection with somebody is so awesome.