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All these rappers on stage and Martha Stewart has done the most jail time.
I really love the process, with stage, of rehearsal, you get to create a character, and you have a beginning, a middle, and an end of story. And in television, you don't.
If it's stage, the two most important artists are the actor and the playwright. If it's film, THE most important person is the director. The director says where the camera goes.
After you've seen behind the facade of a stage set you can't take the play seriously any more. In other words, you can't go backwards and regain your ignorance, you have to move forward.
Miles Davis turned his back to the audience when he came out on stage, and he offended people. But, he wasn't there to entertain; he was all about the music. I kind of do that.
A lot of people come up to me expecting to meet the person they have seen perform. It's not going to happen, unless my mania, my stage person, responds to them and not the real me.
The reflection of the flame in the glass seems to be touching the hand. And you feel the helpless fear of these dismembered parts. This sort of thing can hardly be visualized at the script stage.
What you have to be, you have to live whatever you do all day long. I always told the artists, every time you're on stage, it's nothing but a dress rehearsal.
It is necessary to correct the error that vegetarianism has made us weak in mind, or passive or inert in action. I do not regard flesh-food as necessary at any stage
On the Greek stage a drama, or acted story, consisted in reality of three dramas, called together a trilogy, and performed consecutively in the course of one day.
In London, before I set out, I had paid one shilling; another was now demanded, so that upon the whole, from London to Richmond, the passage in the stage costs just two shillings.
Imagine working 20% smarter instead of 20% longer...Work-life balance and startup success at any stage aren't mutually exclusive. There are enough hours in the day to be effective and present.
Stage fright, like epilepsy, is a divine ailment, a sacred madness... It is a grace that is sufficient in the old Jesuit sense - that is, insufficient by itself but a necessary condition for success.
It's been very important throughout my career that I've met all the guys I've copied, because at each stage they've said, 'Don't play like me, play like you.'
That is the thing I'm most grateful for in this industry to be able to spin in those different mediums, with television, film and the stage - at this stage of the game.
I'm asthmatic. I was a lot bigger back then, and I still get winded on stage today. But I've learned how to pace it now. I have musical breaks in there.
I felt as a human being I needed to take a pause and reflect on a lot of stuff that's happened. That was really good for me. And to get some of the ringing out of my years from all the amps on stage.
I think it all comes back to being very selfish as an artist. I mean, I really do just write and record what interests me and I do approach the stage shows in much the same way.
That's what I always enjoyed about acting, the real adrenalin rush. My heart - still before I go on stage - crashing out of my chest. That's thrilling to me.
There's a point you get to on the stage where you're not remembering lines but living them, and you reach this pure moment which, really, is more intense than what you can achieve in life.
A theater is such a revealing form of art, such a transparent and good actors, they're such powerful individuals. I always kind of dreamt that one day I will open my mouth on stage.
I was very interested in vaudeville. It was the only sort of discipline that was a five-minute act on stage, which is what I really enjoyed and saw myself doing. And I bought books on it.