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I started smoking as soon as I went on the stage. I'd make cigars out of the Morning World when I was a kid.
The stage has a certain discipline. But the ultimate standard is more exacting in film, because you have to see yourself and you are your own toughest critic.
When you do a song new live on stage, it's kind of a bit weird until it gets worn in, you know, like oiled up a bit. It's still a little bit stiff until you really thrashed at it for a few weeks.
I played a role. That is what actors do. But I played it too well. I went too far. And by the time I wanted to stop, to take a bow and leave the stage, it was too late.
Me being a shy kid, very closed off, showing vulnerability in a character was sort of a safe space on stage. It's always been in my toolbox, there for me when I need it.
My wife is my favorite actress. Without question. I have seen more jaws drop in little theaters when people see my wife up on that stage than you can imagine.
Box-office poison? Mr. Louis B. Mayer always asserted that the studio had built Stage 22, Stage 24 and the Irving Thalberg Building, brick by brick, from the income on my pictures.
'The Elephant Man' was hugely enjoyable to do. I thought the one stage, when Chris Tucker did the first makeup and it took 12 hours, I thought they'd actually found a way for me not to enjoy filming.
I sang 'American Pie' a lot in my stage set. It had a knack of uniting an audience in a sing-along. It's a clever song about American history but wrapped in a fantastic tune.
There was something about the Cleveland Play House that was the holiest place - you know, with the ghost light on the stage and the brick. It was just the most beautiful theater in the world.
I think the wonderful thing about doing theater is that it's more of an actor's medium. I think that film is more of a director's medium. You can't edit something out on stage. It's there.
I got to show off in front of my husband, who married me as I was stepping out of the business, so he had no idea that I could strut my stuff on the stage.
At this late stage in the history of American capitalism I'm not sure I know how much testimony still needs to be presented to establish the relation between profit and theft.
My sister died and my mum was really distant, as you do - you don't expect your offspring to die before you. I thought I was bulletproof up until that stage.
When I saw Paul Scofield do Loves Labors Lost at Stratford, thats when I saw the potential of the level of truth that could go on up there on a stage. I said, This is what I want to do.
For me the most important thing is being a really good person, and that doesn’t depend on what you do on stage, that depends on how you treat people when you’re offstage.
Maybe yes, but probably not. At each stage I made what was then the best choice. Having taken that decision, I changed direction and there was no turning back.
I'm most excited to see how I've grown as a performer. After Dancing With the Stars I really was able to evolve in a lot of ways and I'm excited to put that to use on stage.
I don't have a publisher yet, so I'm not in the process of that next stage and I don't know what that's going to look like. So I feel like I finished stage one [with my book].