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I have horrible stage fright - you know how you go through the bi-polar stage fright thing? Then you go on drugs to get over the stage fright and perform, but then you're not funny at all.
You can skim those stage directions and go right to the dialogue. You can almost read the movie in the same amount of time it will take you to see the movie.
Writers love to write those idiotic, long stage directions, and some of them worse than others. They have nothing to do with the movie. They're just jerking around.
Mainstream medias representation, or its guerrilla decontextualization, of black mens lives in particular can set the stage for erroneous assumptions capable of damaging an individual or a nation.
There is a strong sentiment within the Tea Party that favors a stronger America on the global stage, and with that comes a strong alliance with the State of Israel.
One that actually relates to all Latin American literature: that is, not every author is interested in being a representative of his or her national culture on the global stage.
Every time I hit the stage I try to take something from it. There are a lot of shows and opportunities to be seen like that. I like to just take all of them and allow them to help me build.
As for super-stardom, I can say that I'm ready for anything. I feel like I've mastered so many stages in my life and the cool thing is, I don't see that energy changing anything.
I went back to the stage because it was my way of dealing with the success I had, my way of coping. It was a way of escaping the responsibilty of what was happening.
The one hour live debate in the West Wing that we did was one of the most exciting times for me on stage or on camera, because anything could go wrong.
...she felt about reading what some writers felt about writing: that it was impossible not to do it and that at this late stage of her life she had been chosen to read as others were chosen to write.
Conventional words or other signs have to be sought for laboriously only in a second stage, where the associative play already referred to is sufficiently established and can be reproduced at will.
National parks, zoos, protected areas, polluted seas - using the whole world as a readymade, I thought about it as a stage set. To activate a stage set you need a drama, an actor to offset it.
Unless you are in the willingness and ease and ecstasy of some kind of moment, you may end up the editor of your thoughts and of your expressions. I find I'm that way on stage.
Sometimes, I have to really monitor myself, but the only monitoring job I really do on myself on stage is, Is this truthful? Is this truthful? Is this truthful? Ideally, I send it in a flow of truth.
When I'm on a stage, I don't feel like this dude who's sitting here drinking Amstel Lights. I'm trying to temporarily become something else that can deliver a feeling.
Most written work is a conversation between the editor and the writer, that the writer essentially fulfills in public, and the editor provides the stage for that to happen as well as the prompts.
Learn to live well, or fairly make your will; You've play'd, and lov'd, and ate, and drank your fill: Walk sober off, before a sprightlier age Comes titt'ring on, and shoves you from the stage.
So what this is is us, our personalities refined down on to a stage performance. In other words, the way we play is the end product of the way we live - we live in the cities, you see.
I appreciate an audience that reacts to the music, even if they jump on stage and try to beat us up, I think that's a fantastic reaction. I think that they're really hearing something then.
We were at the stage where in a very short period of time, one of the world's biggest banks would have to shut the door and switch off the electricity.
I think the idea of embodying the physical presence of a character is the same on stage and screen. There are just different levels of expression to keep in mind for each platform.
Center Stage focused on the drive and what it's like to be a student, and this is what it's like to be an adult and what you need to give up in the pursuit of that passion and that focus.
I've definitely done my share of tripping over monitors, etc. but nothing could compare to the time when I totally forgot the beginning of a song that I was starting on stage.
OLD, adj. In that stage of usefulness which is not inconsistent with general inefficiency, as an "old man". Discredited by lapse of time and offensive to the popular taste, as an "old" book.