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It takes a lot out of you to do a stage play, but I'd love to do that. I'd love to continue to do challenging material, whatever shape or form that comes in.
What appealed to me about the whole production is how big it is. I don't do musicals because I don't sing very well. But this is the biggest stage thing I'll do that's not a musical.
That's the most comfortable place for me. In the beginning, yes, I was nervous going on stage. I was not a natural performer. I really had to acquire that skill.
There is nothing more painful to me at this stage in my life than to walk down the street and hear footsteps... then look around and see somebody white and feel relieved.
Once you train you develop your own aesthetic and your confidence. So, I think as I grow I'm learning how to be a singer. I'm training my voice and being on stage and singing and dancing.
You've got to love the villain if you have to play him. You've got to find something that you can live with in yourself if you're going to play the villain in a play on stage.
I'm a weirdo that goes on stage to make strangers laugh, but if I wasn't working, I would just want to be with my wife and kids. I don't even think I'd want to go out to dinner.
You're on stage and because stand-up comedy is one of the few meritocracies in the entertainment industry, there's some kind of - at least for me, there's some kind of idea of control.
The whole idea of comedy, there is nothing normal about going up on stage to make strangers laugh. But I'm also not an exhibitionist like other comics. I'm not up there talking about masturbating.
At the expansion stage, it's really easy to lose focus and chase the shiny object, instead of staying focused on what you're good at and the customers that are already successful.
I was a very good girl for a long time, that's what really drew me to acting. The stage was the perfect place to be outrageous, to be sad, to be angry, to be all these different things.
That is one of the things about going on tour, that I get to work with some really talented people and it allows me to be able to listen to them as well - and just have fun on stage.
Well, it is quite daunting, but I made my first appearance on the stage when I was nine, because I went to a theatrical school, because I wanted to be an actress since I was eight.
Dead isn’t angels or ghosts. It’s a physical state of breakdown, a change in all those carbon atoms that create the temporary house of a body so that they can return to their most elemental stage.
Frankenweenie is also about mortality, but at a very different stage. It's losing a parent versus losing a dog. I don't run away from the tears of that, which I think is what makes it feel universal.
If the church is going to make a difference, it will need to go through the "big give-up" stage. Churches will need to quit being selfish and become relevant.
This method of deduction ... is often called "combinatory". Its usefulness is not exhausted at this stage, but it does even at the outset lead to some valuable conclusions.
As children must have the hooping cough, the college youth must pass through the stage of conceit in which he holds in slight esteem the wisdom of the best.
I like to learn the lines and not get any precontrived things in my head about the part. Just get on stage and see what the other actors are doing, and respond to them as honestly as I can.
You're about to walk on stage and play together for the next few hours so you want to feel connected and make sure that everyone is in the same head space; a good head space.